Overture To The Unknown
I’ve been thinking a lot lately about sources of energy—those wells from which we draw our creative sparks, and how wherever our top Seattle talents are digging lately is largely unmapped geography. I felt this strangeness with Porter Ray’s Watercolor earlier this year, and this new wavy energy is as good a preamble as any from which to discuss Overture To The Unknown, the brilliant seven-song debut EP from Koga Shabazz. On the first play, this record will strike you as distinctly alien: Distorted voices, beats and verses that run parallel and not always together—and sometimes in reverse—alongside out-of-place samples that spar with bass notes so low they’re under the floor. And then during the decimating “Ol’ Faith” the drums drop away for a moment, and a clear voice speaks, “This is your conscience calling…” In that moment of waking you realize how much this rich playground has been tapping deep channels in your subconscious, haunting like the cover art. Koga’s wordplay operates like tightly knit Zen koans, unpacked through meditation. This record is a dense trip, and from each subsequent listen you emerge with new truths, and you’re so hungry and so thirsty for them you’ll replay and repeat, and replay again. (Yesterday I listened to this album five times in a row.) “Overture” pushes some of the town’s brightest stars to new heights—Jake Crocker, Gifted Gab, Dave B, Jake One, Max Moodie, Ralph Redmond IV, Vinciboy, and Samsara. You’ve heard little like this from any of them before. Bravo to executive producer Sam Lachow on the assemblage. Find a comfortable chair, fire this up and be ready to rewire your brain.